Saturday, August 16, 2008

Friday (OK, you got me... Saturday)


11 comments:

Rodion said...

Don´t you have work process videos?

I love your work.

Do you use models or photos or merely memory?

Greetings form MX

A said...

hermoso! genial.

Chris Lai said...

These figures look great. The gesture and energy in them is awesome. I'm a learning artist and I like looking at them for inspiration. Keep it up!

I've got my own blog here.

Kyle T. Webster said...

Rubas-
I don't have process videos, but there is no 'process' to speak of, really - I just sit down and draw whatever figures pop into my head or materialize in the process. These are meant to serve as an enjoyable exercise for me- I don't have time to think about them too much or plan them (seems to work out better that way!).

Happy weekend, everybody-
Kyle

Anonymous said...

Hi..just stumbled across your blog site. I gotta say I love your artwork. Inspired me to pick up a charcol stick or two.
All the best.

manlio vetri said...

hey i heard about the idea of the book and it seems exciting!!!please make it possible for the book to be dispatched to italy too kyle ;)
thanks for your reply,i like pentel pocket brush too even if i'm more addicted to my wacom/alias sketchbook
alliance.would be glad to hear from you about some of my sketches kyle...welcome at any time!

Unknown said...

beautifulful lines!

Unknown said...

great stuff! I like this latest set.

Unknown said...

I love this latest set. Did that book help that much?

Kyle T. Webster said...

Hi, Marshall - thanks for stopping by!

The book you are talking about, 'High Focus Drawing,' by James McMullan is still sitting on my coffee table and I have not had a chance to read through it. I have glanced at some of the drawings in the book and they are superb. I was familiar with McMullan's course at SVA and I know that his method is highly regarded by living legends like James Jean, others...

He reinforces what I learned from my professor at school (big Mike): find the single most expressive and dominant gesture in the pose and make it the focal point of the composition, see bigger shapes first, work with a broad vision... all those good things. I stink at articulating it, but you get the idea...

Unknown said...

Every post in the blog is amazing! Thanks for sharing.